The history of Japanese art is inextricably linked to the spread of Buddhism, which came to Japan in the VI century. Buddhism contributed to the involvement of Japan in the centuries-old cultural traditions of the East in India, China, and Korea. In the process of creating works for religious practices, and learning the experience of the Chinese and Korean Masters, the national schools of sculpture, painting, and crafts was formed.
Use free sample research papers on Japanese art to understand that it is under the influence of Zen Buddhism, infiltrated from China at the turn of the 12-13 centuries, and Chinese monochrome landscape period, Sun (10-13 centuries), that the monochrome ink painting (Japanese sujbokuga) appeared in Japan, which, in one way or another, determined the subsequent development of Japanese painting.
During the 15th and 16th centuries, under the influence of Zen Buddhism, an original artistic phenomenon-the tea ceremony tanoyu (literally, “hot water for tea”) became popular in Japan. During the ceremony, the participants drank pounded into powder green tea brewed with boiling water, whipped the whisk directly in a ceramic cup. Pretty soon, the tea ceremony spread in all sectors of society. Its growing popularity becomes a powerful impetus to the development of ceramic production.
The contemporary Japanese art history can be divided into two major periods, chronologically corresponding two stages of Japanese history, from the 70s of the 19th century to the entry of Japan into the Second World War and then the post-war period.
The recent history of Japan began with the Meiji (1868), which was the beginning of the feudalism collapsing and the development of capitalist relations in Japan. Prior to 1868, the power in the country belonged to the strongest feudal House of Tokugawa. The revolution took place under the banner of unification and the creation of a centralized State headed by an emperor. Under the guise of restoration of imperial power, real power was in the hands of the monarchist bourgeoisie. The close relationship of the bourgeoisie with the feudal aristocracy and the fear of the revolutionary movement among the peasantry and urban poor have led to the compromise nature of the reforms and the incompleteness of the bourgeois revolution in Japan.
The specificity and complexity of the formation of Japanese culture through the 19th century and the beginning of the 20th century were that the process of the nation self-affirmation and associated with it the cult of national tradition was combined with the need to create a modern capitalist state, similar to that the states of Europe and North America had had. Together with the finished forms of bourgeois state, there was the borrowing of the most common, and, at the first stages, mainly external forms of European culture, including architecture and fine arts.
Unlike in the majority of European countries, the development of capitalism in Japan was going faster and already at the beginning of the 20th century, Japan becomes one of the major capitalist powers in the world.
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